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dc.contributor.authorSotomayor, A.M.
dc.date.accessioned2025-10-31T18:36:46Z
dc.date.available2025-10-31T18:36:46Z
dc.date.issued2023
dc.identifier.urihttps://hdl.handle.net/20.500.12805/5450
dc.description.abstractDuring the first years of the 20th century, occurred the modernization of poetry in Peru. José María Eguren positioned himself as one of the most representative voices of that establishment. For this reason, in this article we will explore some key arguments which explain the Egurenian poetic modernization from the revision of the correspondence between a particular group of his poems and his prose, to identify, in the fictional and essayistic writings of the author, a conception of poetry that we will call multidimensional. It has, among its most important features, the configuration of a creative-intuitive ideal, the figuration of the feminine as a dialectizing agent and the aesthetic principles of movement and chromaticity.en_US
dc.formatapplication/pdf
dc.language.isospa
dc.publisherAsociación Peruana de Retórica
dc.relation.ispartofurn:issn:2617-4839
dc.rightshttps://purl.org/coar/access_right/c_abf2
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectIntersections of Literature, Philosophy, and Visual Artsen_US
dc.subjectCésar Vallejo's Poetic Rhetoric and Cultural Memoryen_US
dc.titleLa poesía de José María Eguren y la literatura infantiles_PE
dc.typehttps://purl.org/coar/resource_type/c_2df8fbb1
dc.identifier.doihttps://doi.org/10.36286/mrlad.v3i6.143
dc.subject.ocdehttps://purl.org/pe-repo/ocde/ford#6.02.05
dc.type.otherResearch article
dc.identifier.journalMetafora
dc.type.versionhttps://purl.org/coar/version/c_970fb48d4fbd8a85


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